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Windows Server 2008 R2 Foundation Oem. This article needs additional citations for. Unsourced material may be challenged and removed. (December 2017) () Elvin Ray Jones (September 9, 1927 – May 18, 2004) was an American jazz drummer of the era.
He showed an interest in drums at a young age, watching the circus bands march by his family's home in. He served in the from 1946 to 1949 and subsequently played in a Detroit house band led. He moved to New York City in 1955 and worked as a sideman for,, and. From 1960 to 1966 he was a member of the quartet (along with on bass and on piano), a celebrated recording phase, appearing on such albums as. Following his work with Coltrane, Jones led several small groups, some under the name The Elvin Jones Jazz Machine. His brothers and were also jazz musicians with whom he recorded.
He was inducted into the Hall of Fame in 1995. This section needs additional citations for. Unsourced material may be challenged and removed. (December 2017) () Early life [ ] Elvin Jones was born in to parents Henry and Olivia Jones, who had moved to Michigan from. His brothers, and, both became important jazz musicians. By age two, he said he knew he held a fascination for drums.
He would watch the circus marching band parades go by his home as a boy, particularly fascinated by the drummers. Following his early passion, Elvin joined his high school's black marching band, where he developed his foundation in. Jones began service in the in 1946. He was discharged in 1949, and returned home penniless. Jones said he borrowed $35 from his sister when he got back to buy his first (US$360 in 2017 dollars ). Jones began his professional career in 1949 with a short-lived gig in 's Grand River Street club.
Eventually he went on to play with artists such as and. The King Of Fighters 95 Pc Games more. In 1955, after a failed audition for the band, he found work in, joining 's band, and releasing a record called 'Blue Moods' on Debut records.
[ ] 1960–1966: John Coltrane and beyond [ ] In 1960, he joined the classic Quartet, which also included bassist and pianist. Jones and Coltrane often played extended passages. This band is widely considered to have redefined ' (the feel of jazz) in much the same way that,, and others did during earlier stages of jazz's development. He stayed with Coltrane until 1966.
By that time, Jones was not entirely comfortable with Coltrane's new direction and his style clashed with the 'multidirectional' approach of the group's second drummer,. Elvin Jones at,. April 22, 1980. Jones remained active after leaving the Coltrane group, and led several bands in the late sixties and seventies that are considered highly influential groups.
Notable among them was a trio formed with saxophonist and multi-instrumentalist and (ex-Coltrane) bassist, with whom he recorded the album. Jones recorded extensively for Blue Note under his own name in the late sixties and early seventies, with groups that featured prominent as well as up and coming greats. The two-volume showcases a 21- and 26-year-old and, respectively. Jones played on many significant albums of the modal jazz era, such as with McCoy Tyner and saxophonist 's. Other musicians of note who made significant contributions to Jones's music during this period were baritone saxophonist, tenor saxophonists and, trumpeter, bassist, keyboardist and – group. Late career [ ] Jones' sense of timing,,,, and brought the drumset to the foreground.